What’s in a Name? ABC Family Grows Up

Posted by Julia Walker

Thu, Nov 12, 2015

This January, the ABC Family channel will become “Freeform.” The name change, triggered by a misalignment between ABC Family’s current brand strategy and associations the current name conjures, aims to appeal to the brand’s target audience—a more mature, young adult demographic. President Tom Ascheim calls this group "Becomers," males and females ages 14-34 who are going through an exciting life stage of firsts, ranging from "first kiss to first kid."

So, what can viewers expect from Freeform? According to the company, at least some things will stay the same. Freeform will keep a number of popular shows (e.g., Pretty Little Liars and The Fosters) and continue beloved traditions like Harry Potter Weekends and 25 Days of Christmas. But viewers can also expect new programming that takes the brand further from its family-friendly image. 

While the name change seems warranted, a rebrand can certainly flop if not carried out thoughtfully (think: when Radio Shack became “The Shack”). Here are four steps worth following to ensure long-term success in launching a rebrand:

1. Conduct thorough research about the competitive landscape and your target market. Rebranding involves a tremendous amount of preparation, time, and effort, and it risks confusing customers and losing brand equity. It’s wise to consider the repercussions before making changes that might not solve the underlying problems. Renaming infamous private security firm Blackwater to the shorter XE, for instance, hasn’t done the trick. For ABC Family’s part, research revealed many respondents unaware of the brand see it as “wholesome,” which is an indication that the channel’s name was a real sticking point to broadening its audience.

2. Communicate early and often. Being proactive about communication is essential during a rebranding campaign to avoid confusion and to dissuade potential rumors. All marketing and promotional materials should be honest and clarify any questions customers may have, such as the reasoning behind the change or what to expect from the new brand. On ABC Family's social media pages, for instance, some viewers expressed concerns about whether or not the new network would continue its popular 25 Days of Christmas campaign. The channel is leveraging these platforms as a way to answer questions and ease viewers’ fears.

3. Engage customers. Getting the consumer involved is a productive way to create buzz around the rebrand. One way ABC Family has done this is through a user-generated campaign (UGC) in which fans can create content to be posted on the channel’s website. This effectively generates hype around the launch just in time for the January television premieres. Social media can also be used to cultivate engagement with fans. ABC Family already has an impressive social media presence around hit show Pretty Little Liars, which is cable's second most tweeted-about series, but the channel will need to continue encouraging active participation throughout the rebrand.

4. Don’t let the name change stand alone. The name change itself should only be part of a rebrand, and it should be accompanied by an internal strategic shift. The branding must deliver on its promises, or the rebrand will fail to bring about any brand lift. A rebrand can’t be a "superficial facelift," but a sustainable strategic change that allows for the brand to flourish. 

Only time will tell if Freeform can create new content that attracts Becomers and evokes viewers’ "spirit and adventure," while also leveraging existing brand equity to maintain its current core audience.  

Julia Walker is an Associate Researcher who is very excited to continue watching Harry Potter marathons on the new Freeform network. 

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Topics: Television, Brand Health & Positioning, Customer Experience & Loyalty, Media & Entertainment Research

Brands Get in a Frenzy Over Shark Week

Posted by Athena Rodriguez

Wed, Aug 19, 2015

Summer brings many joys—BBQ’s, the beach, and one of my favorite holidays. . .I’m referring, of course, to Shark Week. For over 25 years, the Discovery Channel has loaded as much shark-related content as possible into a 7-day period, including TV programming, online content, and social media frenzies by both the network and other “official” (and non-official) partners.While some of these partnerships are no-brainers (e.g., Oceana, National Aquarium, and Sea Save Foundation), other less obvious partners such as Dunkin Donuts, Cold Stone Creamery, and Southwest Airlines, must get creative with their marketing to connect their brands to “the most wonderful week of the year.” Southwest, for example, offered flyers the chance to watch new content via a special Shark Week channel and to enter a sweepstakes for a chance to swim with sharks. Both Cold Stone Creamery and Dunkin Donuts debuted special treats (“Shark Week Frenzy”—blue ice cream with gummy sharks—and a lifesaver donut, respectively).

brand engagement, shark week, television

But it didn’t stop there—brands on social media found ways to tie in products to Shark Week in every way possible. Just take a look at these posts from Claire’s, Salesforce, and Red Bull.

shark week, brand engagement, television

So, what’s in it for these brands? Why go out of their way to connect themselves to something like Shark Week, which is seemingly unrelated to their services and products? It’s as simple as the concept of brand associations. Since brand associations work to form deeper bonds with customers, brands are often on the lookout for opportunities that will boost their standing with customers. Shark Week attracts millions of viewers each night, and since it’s one of the few true television events that remains, it presents the perfect opportunity for brands to engage with customers in a way they don’t often get to do. Furthermore, it demonstrates that these brands are in tune with what their customers like and what’s happening in the pop culture world. And, judging by the amount of interactions brands received from consumers, I’d say it worked.

If you missed the fun of Shark Week last month (the horror!) or just want more, don’t worry—Shweekend is just around the corner (August 29th), and I’ll be anticipating what brands can come up with this time. . .

Athena Rodriguez is a Project Consultant at CMB, and she is a certified fin fanatic. 

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Topics: Advertising, Marketing Strategy, Social Media, Television, Brand Health & Positioning, Media & Entertainment Research

The 7 Types of Loyalty You'll Find in the 7 Kingdoms

Posted by Heidi Hitchen

Mon, Jun 01, 2015

game of thrones logoWarning: This post contains spoilers for George R.R. Martin’s A Song of Ice and Fire and HBO’s Game of Thrones.

“When you play the game of thrones, you win or you die.” This is the message of popular book series A Song of Ice and Fire and hit HBO TV series Game of Thrones. In the fictional world of Westeros, you learn pretty quickly that honor, duty, and loyalty will get you nowhere.As market researchers, we can learn a lot about loyalty from Westeros. There are more kinds of loyalty than there are self-proclaimed kings of the 7 kingdoms—and just like those kings (sorry, Tommen), these types of loyalty aren’t all created equal. Luckily, we have a way of categorizing (and then quantifying the value) of different types of loyalty—a concept I’ll illustrate using some of our favorite Westerosi characters.

In the world of loyalty measurement, everyone starts in the first archetype, which is just plain “Loyal.” Assuming that everyone is loyal in some way is certainly a dangerous assumption in Westeros, but we’ll take our chances and put everyone who isn’t a Wildling into that category to start.

True Loyal: You can argue that as the sworn sword of Renly Baratheon (deceased) and Catelyn Stark (also deceased), Brienne of Tarth has not been terribly successful. But, you can’t deny that she’s gone out of her way to fulfill her vow of reuniting the Stark girls. Come the Hound or high-water, she’s devoted. This is the type of customer (or sworn sword) we’d all like to have in our corner.

At-Risk Loyal: Varys may say he’s true to the 7 Kingdoms, but the former Master of Secrets’ loyalty extends only so far. . .which Tywin Lannister (RIP!) learned a little too late. In Westeros, and in the marketplace, this type of loyalty is the one you’ll have to work to hold on to.

Deal Loyal: Your customer may enjoy your product as much as Bronn enjoyed being with Tyrion, but don’t forget that sell swords and Deal Loyal customers are primarily motivated by bags of gold—or discounts.

Uninvolved: This could have described our friends in Dorne until very recently (thanks, Cersei), but perhaps the most accurate example of the Uninvolved are the average citizens of Westeros. These people don’t hold much allegiance for any king—they just want to make it through another winter with their heads attached. It’s the same (well, not exactly the same) for your uninvolved customer. They use your brand but are pretty indifferent overall.

Distribution Loyal: Petyr Baelish’s allegiance is questionable at best. Baelish (who is better known as Littlefinger) spreads his loyalty across the kingdom, manipulating people and resources to slowly claw his way into power. He may be loyal to House Tully (and the Starks by extension), but we know he’s also made major plays for the Lannisters. It’s all about the end game for Littlefinger, which is why he’ll use people as a means to an end and then switch when something better comes along.

Captive Loyal: Poor, poor Sansa. Can’t a girl catch a break? She’s had three fiancés and two husbands, and she's still held prisoner by her claim to the North. While she’s recently learned how to use her circumstances to her advantage, I’ll go out on a limb and say she’s probably on the lookout for a better option—the North remembers. Like Sansa, Captive Loyals aren’t satisfied with your product, but they’re likely to continue using it for the time being.

Where does your loyalty lie?

Heidi Hitchen is a true loyalist to House Stark. She’ll continue to root for the King in the North until the White Walkers come for her. Winter is coming!

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Topics: Television, Customer Experience & Loyalty, Media & Entertainment Research

Social Media? Scandal's Got It Handled.

Posted by Kirsten Clark

Thu, May 14, 2015

describe the imageDo you have plans tonight?

If you’re like me, you’ll be snuggled up on your couch with a glass of red wine in one hand and Twitter pulled up on your phone in the other, ready and waiting for tonight’s Scandal finale. I’ll admit it: I love all Shonda Rhimes’ shows. I’ve watched Grey’s Anatomy since season 3 and How to Get Away with Murder after it premiered last fall. But as much as I love these two shows, I know I can DVR them and avoid spoilers. There’s one of Shonda’s shows, however, that I will move mountains to watch live because I just know that if I don’t, I will be spoiled the minute I go online. That show, ladies and gentlemen, is Scandal.

Since its premiere in 2012, Scandal has positioned itself as “event television”—the kind of can’t-miss show that needs to be watched live to get the full experience— which, if you think about it, is a pretty amazing feat. Just a few years ago, event television was thought to be dead with few exceptions (award shows, sporting events, etc.), but Scandal has resurrected it. How? Through cliffhangers, top secret plots, and brilliant marketing campaigns. But none of these have contributed more to this positioning than the show’s masterful use of Twitter.

describe the image

The community the show has built on Twitter has been key to Scandal’s success, and this success story has a lesson that all brands should remember: loyalty and engagement are key. So, how has Scandal been able to do this? Through an immersive campaign that integrates organic fan-generated content with participation from cast and crew members. Each Thursday night, I am one of the #Gladiators scrolling through Twitter to read live tweets from fellow fans as well as cast members. The actors on the show are not the only people participating—fans can chat with Scandal’s writers (@ScandalWriters), prop master (@scandalprops), makeup department (@ScandalMakeup), and others.

In addition to live tweeting, Scandal has also brilliantly incorporated hashtags into its social media strategy. For instance, in 2012, the show was one of the first programs to advertise on Twitter and to feature a promoted hashtag (#WhoShotFitz) in advertising. The show uses a variety of hashtags for different purposes. For example, the show used #ScandalRecruitment during one month in season three to attract new viewers, and it often promotes #AskScandal, which viewers can use to ask a cast or crew member a question about the show.

All of this has culminated in a massive social media following. The show’s fans send out over 350,000 tweets per episode and, until recently, Scandal had the highest average tweets per episode during live airings of any broadcast drama this season. The show that beat Scandal? Newcomer Empire, which has based its social media strategy (live tweeting, promoted hashtags, etc.) off the success of Scandal’s strategy.

You’re probably asking yourself: why does this matter? First of all, after watching Olivia Pope shut someone down with a scene-stealing speech, is there anything more exciting than getting to directly interact with Kerry Washington about that exact scene? (The answer is no, people.) More importantly, Twitter released a study last May which found that after seeing TV-related tweets, 90% of people take “subsequent action such as watching a show they’ve never watched before, resuming a show that they’d previously stopped watching, and/or searching for more information about the show online.” Let this be a lesson to all brands (not just television shows): building a passionate fan base on Twitter generates loyalty and engagement, which in turn generates increased revenue.

So, fellow Gladiators, cancel your plans and settle in, because tonight promises to be another adventure—both on-screen and on your Twitter feed.

Kirsten Clark is a Marketing Associate at CMB who one day aspires to be like Olivia Pope. . .except without all torture, murders, and Presidential affairs.

Topics: Marketing Strategy, Social Media, Television, Customer Experience & Loyalty, Media & Entertainment Research

Deflategate and the Dangers of Convenience Sampling

Posted by Athena Rodriguez

Wed, Jan 28, 2015

The Patriots have landed in Phoenix for yet another Super Bowl, but there are still those who can’t stop talking about “Deflategate.” Yes, that’s what some are calling the controversy surrounding those perfectly legal 12.5 PSI inflated footballs that lost air pressure due to changing atmospheric conditions and repeated Gronking* after touchdowns during the first half of the Pats-Colts showdown.

Here in Boston, we were shocked to turn on the TV and hear the terrible accusations. Were we watching and reading the same things as the accusers? Did those doubters not watch the press conferences (all three of them) where our completely ethical coach proclaimed his team’s innocence? Did they not understand that Belichick even conducted a SCIENCE EXPERIMENT? 

Or could it be simply that the doubters live outside of New England?

athena blog

The chart above makes it pretty obvious—from Bangor to Boston, we just might have been hearing the voices of a lot more Pats fans. This is, in fact, a really simple illustration of the dangers of convenience sampling—a very common type of non-probability sampling.

Sure it’s a silly example, but as companies try to conduct research faster and cheaper, convenience sampling poses serious threats. Can you get 500 completes in a day? Yes, but there’s a very good chance they won’t be representative of the population you’re looking for. Posting a link to your survey on Facebook or Twitter is fast and free, but whose voice will you hear and whose will you miss?

I’ve heard it said that some information is better than none, but I’m not sure I agree. If you sample people that aren’t in your target, they can lead you in the completely wrong direction. If you oversample in a certain population (ahem, New Englanders) you can also suffer from a biased, non-representative sample.

Representative sampling is one of the basic tenets of survey research, but just because it’s a simple concept doesn’t mean we can afford to ignore it. Want your results to win big? Carefully review your game plan before kicking-off data collection.

  • Sample Frame: Is the proposed sample frame representative of the target population?
    • Unless you are targeting a niche population. . .
      • online panel “click-throughs” should be census balanced
      • –customer lists must be reflective of the target customers (if the population is all customers, do not use email addresses unless addresses exist for all customers or the exceptions are randomly distributed)
      • –compare the final sample to the target population just to be sure
  • Selection: Does the selection process ensure that all potential respondents on the frame have an equal chance of being recruited throughout the data collection period?
    • To be sure, you should. . .
      • randomize all lists before recruiting
      • not fill quotas first
      • not focus on hard-to-reach respondents first
  • Data collection: Will the proposed data collection plan adversely affect sample quality?
    • –Ask yourself:
      • Are fielding dates unusual (e.g., holiday, tax returns, Super Bowl, etc.)?
      • Is the schedule long enough to cover weekdays and weekends? Will it give procrastinators sufficient time to respond?
  • Structure: Will important subgroups have sufficient sample sizes if left to fall out naturally?
    • –If not, set quotas. . .
      • –Quota groups must be weighted back to their natural distribution before analysis or treated as an oversample and excluded from any analysis at the total level.
  • Size: Is the proposed sample size sufficient?
    • –We must always balance costs against sample size, but, at the same time, we must recognize that we need minimum sample sizes for certain objectives.  

Are there times you might need some quick and dirty (un-Patriot like) results? Absolutely. But, when you’re playing for big insights, you need the right team.

*spiking the football after a touchdown.

Athena Rodriguez is a Project Consultant at CMB. She’s a native Floridian, who’s looking forward to the end of the Blizzard of 2015 and the start of Sunday’s game!

Topics: Boston, Television, Research Design, Media & Entertainment Research