Star Wars Marketing: Full Light Speed Ahead

Posted by Julia Powell

Thu, Dec 10, 2015

Star_Wars_The_Force_Awakens-1.jpgUnless you have been living in exile on the swampy planet Dagobah, you may have noticed that December 18th marks the release of Star Wars: The Force Awakens. There are reminders in every corner of the consumer landscape from Chewbacca Spiced Latte Coffeemate peering out of the dairy freezer to Limited Edition Star Wars lipsticks from Covergirl (including silver and gold but not Chewbacca). Star Wars-licensed clothing abounds from discount retailer Primark to The Gap and more. There are Star Wars shoes available ranging from Crocs (complete with Yoda-sound emitting add-ons) to customizable Superstar 80s from Adidas.

Of course, there are toys, too, featuring characters from the previous films and The Force Awakens. These were launched in grand fashion with “Force Friday,” which took place on September 4th 2015 (falling conveniently ahead of the back-to-school and holiday shopping seasons). There have been three months of merchandise build up, with more character items set to be released after the full plot of the film is revealed. While witnessing the amazing treasure trove of merchandise and brand tie-ins, I couldn’t help but wonder, how did LucasFilm’s promotion of the first film compare to Disney’s current efforts with The Force Awakens?

A long time ago (38 years) in a galaxy far, far away, the first Star Wars installment opened on May 25th in just 32 theatres. Initially marketed only to a small science fiction fanbase, momentum grew as the film received positive reviews and word of mouth spread. By August 1977, the movie was on over 1,000 screens. The film itself appealed to children and adults, and it featured ground-breaking 4 channel Dolby sound, adding to the overall cinematic impact (and audiences’ desire to repeatedly return to the theater). It dominated the box office in 1977, grossing over $461 million dollars domestically (over $300 million ahead of another sci-fi classic: Close Encounters of the Third Kind). To put this in perspective: that’s over 1.85 billion when adjusted for ticket price inflation.

 By Christmas 1977, Kenner Products, which held the original licensing rights to Star Wars action figures, was underprepared to meet the production demand the surprise sensation. What was a toy retailer to do when faced with the inability to deliver the characters every kid (and some adults) wanted? Easy: sell empty boxes. Ahead of the holiday shopping season, Kenner cleverly sold “Early Bird Certificate Packages,” including a certificate for action figures (available in February 1978), a diorama stand, and a Star Wars fan club membership card. Waiting to redeem those certificates must have been agony.

When Star Wars was first released, there was nothing else quite like it, and there was no way to anticipate the film’s success nor the audience’s desire for merchandise. With The Force Awakens, Disney knows its audience and has guaranteed there are enough items available to drive interest ahead of the film. There’s also enough stock on the shelves as families head to the theaters (in sharp contrast to Disney’s 2014 Frozen toy shortages). On top of the items available ahead of the release, there are several characters yet to be revealed, including Andy Serkais’ Supreme Leader Snoke, which means that there’s even more to come.

Have you ever waited in line for a pre or post-release movie toy? Will you be headed out to see The Force Awakens sporting any character socks?

An Associate Researcher and owner of a now vintage, non-mint condition Ewok village Julia Powell is. 

Topics: Marketing Strategy, Media & Entertainment Research, Retail

What’s in a Name? ABC Family Grows Up

Posted by Julia Walker

Thu, Nov 12, 2015

This January, the ABC Family channel will become “Freeform.” The name change, triggered by a misalignment between ABC Family’s current brand strategy and associations the current name conjures, aims to appeal to the brand’s target audience—a more mature, young adult demographic. President Tom Ascheim calls this group "Becomers," males and females ages 14-34 who are going through an exciting life stage of firsts, ranging from "first kiss to first kid."

So, what can viewers expect from Freeform? According to the company, at least some things will stay the same. Freeform will keep a number of popular shows (e.g., Pretty Little Liars and The Fosters) and continue beloved traditions like Harry Potter Weekends and 25 Days of Christmas. But viewers can also expect new programming that takes the brand further from its family-friendly image. 

While the name change seems warranted, a rebrand can certainly flop if not carried out thoughtfully (think: when Radio Shack became “The Shack”). Here are four steps worth following to ensure long-term success in launching a rebrand:

1. Conduct thorough research about the competitive landscape and your target market. Rebranding involves a tremendous amount of preparation, time, and effort, and it risks confusing customers and losing brand equity. It’s wise to consider the repercussions before making changes that might not solve the underlying problems. Renaming infamous private security firm Blackwater to the shorter XE, for instance, hasn’t done the trick. For ABC Family’s part, research revealed many respondents unaware of the brand see it as “wholesome,” which is an indication that the channel’s name was a real sticking point to broadening its audience.

2. Communicate early and often. Being proactive about communication is essential during a rebranding campaign to avoid confusion and to dissuade potential rumors. All marketing and promotional materials should be honest and clarify any questions customers may have, such as the reasoning behind the change or what to expect from the new brand. On ABC Family's social media pages, for instance, some viewers expressed concerns about whether or not the new network would continue its popular 25 Days of Christmas campaign. The channel is leveraging these platforms as a way to answer questions and ease viewers’ fears.

3. Engage customers. Getting the consumer involved is a productive way to create buzz around the rebrand. One way ABC Family has done this is through a user-generated campaign (UGC) in which fans can create content to be posted on the channel’s website. This effectively generates hype around the launch just in time for the January television premieres. Social media can also be used to cultivate engagement with fans. ABC Family already has an impressive social media presence around hit show Pretty Little Liars, which is cable's second most tweeted-about series, but the channel will need to continue encouraging active participation throughout the rebrand.

4. Don’t let the name change stand alone. The name change itself should only be part of a rebrand, and it should be accompanied by an internal strategic shift. The branding must deliver on its promises, or the rebrand will fail to bring about any brand lift. A rebrand can’t be a "superficial facelift," but a sustainable strategic change that allows for the brand to flourish. 

Only time will tell if Freeform can create new content that attracts Becomers and evokes viewers’ "spirit and adventure," while also leveraging existing brand equity to maintain its current core audience.  

Julia Walker is an Associate Researcher who is very excited to continue watching Harry Potter marathons on the new Freeform network. 

For the latest Consumer Pulse reports, case studies, and conference news, subscribe to our monthly eZine.

Subscribe Here!

Topics: Television, Brand Health & Positioning, Customer Experience & Loyalty, Media & Entertainment Research

Happy WoW-loween: World of Warcraft Gets Player Delight Right

Posted by Liz White

Thu, Nov 05, 2015

 world of warcraft, segmentation, customer experience

We all have our own way of celebrating the fall season. For some, it’s apple-picking, leaf-peeping, or downing mug after mug of Pumpkin Spice Lattes. For me, the defining event of the fall happens not in Boston, but in Azeroth at the World of Warcraft’s (WoW) annual celebration of Hallow’s End. Held every year, this two-week, in-game holiday is both a great example of effective seasonal marketing and a demonstration of Blizzard Entertainment’s nuanced understanding of its customer base. Not to mention, it’s just plain fun.

Hallow’s End was introduced to WoW in 2005, and in the past ten years, it’s grown dramatically in scope and popularity. Although Blizzard hosts other in-game seasonal celebrations (Pilgrim’s Bounty, Feast of the Winter Veil, and Brewfest are just a few), Hallow’s End seems to attract more notice both in and out of the game than any of the others. 

world of warcraft, segmentation, customer experience

Why all the excitement?  The success of Hallow’s End is due in large part to the fact that it offers something for every kind of player. Who are they, and what do they get out of Hallow’s End? Here’s a sampling:

  • Mount Collectors: Hallow’s End heralds the return of the Headless Horseman, a formidable raid boss with a sweet ride. The Horseman’s steed, an undead horse with glowing green eyes and hooves, is one of the most coveted mounts in WoW, and it’s only available for players to win during this event. Those who grab one will gleefully parade their prize for the rest of the year, and those who don’t are doomed to count down the days until the Horseman’s return. 

world of warcraft, segmentation, customer experience

  • World Travelers: For many (myself included) the most compelling feature of WoW is the massive scale and breathtaking beauty of the game’s world. Sadly, high-level adventurers have little incentive to explore low-level areas. During Hallow’s End, however, Candy Buckets appear in inns throughout Azeroth, offering in-game currency and achievements for players who seek them out. The Candy Bucket hunt is a great excuse to revisit old haunts and to seek out some new ones. 
  • Pet Battlers: Pet Battling is relatively new to WoW, but it’s become quite popular. Pets are small creatures or constructs that a player accumulates over time (ranging from the common Brown Rabbit to the exotic Anubisath Idol). Like WoW characters, pets can be leveled to acquire new abilities and then pitted against one another in gruesome fights to the death. Hallow’s End provides the opportunity for players to add seven new pets to their arsenal, including several creepy crawlies as well as a feline familiar who wears a witches’ hat and rides on a broom. Deadly and adorable! 
  • Duelists & Jokesters: In addition to its various quests and collectables, Hallow’s End creates a communal space for players, who gather to celebrate in front of the flaming Wickerman (see him below in one of my own screenshots!). It’s unusual to have so many players assembled at once, and this combined with the holiday mood tends to lead to player dueling. For those who love to duel, Hallow’s End is a perfect opportunity. WoW also encourages player-on-player action during the holiday by offering holiday themed wands that can be used to transform other players into bats, ghosts, skeletons, and even (gasp!) humans.

world of warcraft, segmentation, customer experience

And that’s not all! In addition to the above, other Hallow’s End offerings include raid-quality equipment (for dungeon delvers), garrison decorations (for garrison builders), and experience bonuses (for those leveling up).  Regardless of why and how you play, the holiday has something for you.

While World of Warcraft has had its ups and downs, it’s indisputably one of the most well-known and well-loved games. One reason is that Blizzard not only allows, but promotes and celebrates, a wide range of play styles during Hallow’s End and beyond. Ask yourself, does your business offer products or services intended for a broad customer base? Do you understand who they are, what they like, and what makes them different from one another? CMB can help! Contact us to talk segmentation and product development, and we’ll help you add firepower to your own arsenal. 

Happy Hallow’s End!

Liz White (BadDecision) is a level 100 Blood Elf Warrior, who loves blacksmithing, long flights over Azeroth, and running advanced analytics for CMB. Give her a shout either IRL or in-game, and she’ll be happy to help you optimize your build.

world of warcraft, segmentation, customer experience

Topics: Customer Experience & Loyalty, Market Strategy & Segmentation, Media & Entertainment Research

Brands Get in a Frenzy Over Shark Week

Posted by Athena Rodriguez

Wed, Aug 19, 2015

Summer brings many joys—BBQ’s, the beach, and one of my favorite holidays. . .I’m referring, of course, to Shark Week. For over 25 years, the Discovery Channel has loaded as much shark-related content as possible into a 7-day period, including TV programming, online content, and social media frenzies by both the network and other “official” (and non-official) partners.While some of these partnerships are no-brainers (e.g., Oceana, National Aquarium, and Sea Save Foundation), other less obvious partners such as Dunkin Donuts, Cold Stone Creamery, and Southwest Airlines, must get creative with their marketing to connect their brands to “the most wonderful week of the year.” Southwest, for example, offered flyers the chance to watch new content via a special Shark Week channel and to enter a sweepstakes for a chance to swim with sharks. Both Cold Stone Creamery and Dunkin Donuts debuted special treats (“Shark Week Frenzy”—blue ice cream with gummy sharks—and a lifesaver donut, respectively).

brand engagement, shark week, television

But it didn’t stop there—brands on social media found ways to tie in products to Shark Week in every way possible. Just take a look at these posts from Claire’s, Salesforce, and Red Bull.

shark week, brand engagement, television

So, what’s in it for these brands? Why go out of their way to connect themselves to something like Shark Week, which is seemingly unrelated to their services and products? It’s as simple as the concept of brand associations. Since brand associations work to form deeper bonds with customers, brands are often on the lookout for opportunities that will boost their standing with customers. Shark Week attracts millions of viewers each night, and since it’s one of the few true television events that remains, it presents the perfect opportunity for brands to engage with customers in a way they don’t often get to do. Furthermore, it demonstrates that these brands are in tune with what their customers like and what’s happening in the pop culture world. And, judging by the amount of interactions brands received from consumers, I’d say it worked.

If you missed the fun of Shark Week last month (the horror!) or just want more, don’t worry—Shweekend is just around the corner (August 29th), and I’ll be anticipating what brands can come up with this time. . .

Athena Rodriguez is a Project Consultant at CMB, and she is a certified fin fanatic. 

Speaking of social media, are you following us on Twitter? If not, get in on the fun! 

Follow Us @cmbinfo!

Topics: Advertising, Marketing Strategy, Social Media, Television, Brand Health & Positioning, Media & Entertainment Research

The 7 Types of Loyalty You'll Find in the 7 Kingdoms

Posted by Heidi Hitchen

Mon, Jun 01, 2015

game of thrones logoWarning: This post contains spoilers for George R.R. Martin’s A Song of Ice and Fire and HBO’s Game of Thrones.

“When you play the game of thrones, you win or you die.” This is the message of popular book series A Song of Ice and Fire and hit HBO TV series Game of Thrones. In the fictional world of Westeros, you learn pretty quickly that honor, duty, and loyalty will get you nowhere.As market researchers, we can learn a lot about loyalty from Westeros. There are more kinds of loyalty than there are self-proclaimed kings of the 7 kingdoms—and just like those kings (sorry, Tommen), these types of loyalty aren’t all created equal. Luckily, we have a way of categorizing (and then quantifying the value) of different types of loyalty—a concept I’ll illustrate using some of our favorite Westerosi characters.

In the world of loyalty measurement, everyone starts in the first archetype, which is just plain “Loyal.” Assuming that everyone is loyal in some way is certainly a dangerous assumption in Westeros, but we’ll take our chances and put everyone who isn’t a Wildling into that category to start.

True Loyal: You can argue that as the sworn sword of Renly Baratheon (deceased) and Catelyn Stark (also deceased), Brienne of Tarth has not been terribly successful. But, you can’t deny that she’s gone out of her way to fulfill her vow of reuniting the Stark girls. Come the Hound or high-water, she’s devoted. This is the type of customer (or sworn sword) we’d all like to have in our corner.

At-Risk Loyal: Varys may say he’s true to the 7 Kingdoms, but the former Master of Secrets’ loyalty extends only so far. . .which Tywin Lannister (RIP!) learned a little too late. In Westeros, and in the marketplace, this type of loyalty is the one you’ll have to work to hold on to.

Deal Loyal: Your customer may enjoy your product as much as Bronn enjoyed being with Tyrion, but don’t forget that sell swords and Deal Loyal customers are primarily motivated by bags of gold—or discounts.

Uninvolved: This could have described our friends in Dorne until very recently (thanks, Cersei), but perhaps the most accurate example of the Uninvolved are the average citizens of Westeros. These people don’t hold much allegiance for any king—they just want to make it through another winter with their heads attached. It’s the same (well, not exactly the same) for your uninvolved customer. They use your brand but are pretty indifferent overall.

Distribution Loyal: Petyr Baelish’s allegiance is questionable at best. Baelish (who is better known as Littlefinger) spreads his loyalty across the kingdom, manipulating people and resources to slowly claw his way into power. He may be loyal to House Tully (and the Starks by extension), but we know he’s also made major plays for the Lannisters. It’s all about the end game for Littlefinger, which is why he’ll use people as a means to an end and then switch when something better comes along.

Captive Loyal: Poor, poor Sansa. Can’t a girl catch a break? She’s had three fiancés and two husbands, and she's still held prisoner by her claim to the North. While she’s recently learned how to use her circumstances to her advantage, I’ll go out on a limb and say she’s probably on the lookout for a better option—the North remembers. Like Sansa, Captive Loyals aren’t satisfied with your product, but they’re likely to continue using it for the time being.

Where does your loyalty lie?

Heidi Hitchen is a true loyalist to House Stark. She’ll continue to root for the King in the North until the White Walkers come for her. Winter is coming!

Watch our recent webinar to learn about our results-focused emotional measurement approach we call EMPACT℠: Emotional Impact Analysis. Put away the brain scans and learn how we use emotion to inform a range of business challenges, including marketing, customer experience, customer loyalty, and product development.

WATCH HERE

Topics: Television, Customer Experience & Loyalty, Media & Entertainment Research